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| "US$ 200 - 250" (Results found 194) |
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| 8.5” Vajrasattva Statue |
| US$ 218.16 |
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| Speciality: This 8.5” Vajrasattva Sculpture is made from Copper Alloy with Fully Silver Plated and has beautiful carvings made by the master artisans of Patan, Nepal. |
This 8.5” Fully Silver Plated Vajrasattva Sculpture is made from Copper Alloy which has beautiful carvings and is crafted by our experienced artisans who have been in this business from generations.
Vajrasattva – The Sixth Dhyani Buddha
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Vajrasattva, the sixth Dhyani Buddha, is regarded as the priest of the Five Dhyani Buddhas. Vajrasattva is the Buddha of Purification. Vajrasattva is not represented in the stupa like other Dhyani Buddhas, but independent shrines are dedicated to his worship. Vajrasattva wears all ornaments, rich dress and a crown. Vajrasattva is white in color. Vajrasattva sits cross legged in the meditative pose like other Dhyani Buddhas. Vajrasattva always carries the vajra in his right hand with palm upwards against the chest and ghanta (bell) in the left hand resting upon the left thigh. As the "work" or Karma protector, Vajrasattva also manifests the energies of all Buddhas. Any practice of Vajrasattva is related to the practices of confession and purification as present in all Buddhist traditions.
This beautiful 8.5” Vajrasattva is shown in white, signifying his immaculate purity in Dhyana asana. Vajrasattva right hand holds the vajra at the level of his heart while his left hand clasps the bell. The bell is said to symbolize wisdom and the vajra signifies the means of utilizing this wisdom. Together the vajra and the bell symbolize the fusion of all polarities, including masculine and feminine qualities, in one Enlightened experience. |
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| 6” Vajrasattva Shakti Statue |
| US$ 218.16 |
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| Speciality: This 6” Vajrasattva Shakti Sculpture is made from Copper Alloy with Fully Silver Plated and has beautiful carvings made by the master artisans of Patan, Nepal. |
This 6” Fully Silver Plated Vajrasattva Shakti Sculpture is made from Copper Alloy which has beautiful carvings and is crafted by our experienced artisans who have been in this business from generations.
Vajrasattva – The Sixth Dhyani Buddha
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Vajrasattva, the sixth Dhyani Buddha, is regarded as the priest of the Five Dhyani Buddhas. Vajrasattva is the Buddha of Purification. Vajrasattva is not represented in the stupa like other Dhyani Buddhas, but independent shrines are dedicated to his worship. Vajrasattva wears all ornaments, rich dress and a crown. Vajrasattva is white in color. Vajrasattva sits cross legged in the meditative pose like other Dhyani Buddhas. Vajrasattva always carries the vajra in his right hand with palm upwards against the chest and ghanta (bell) in the left hand resting upon the left thigh. As the "work" or Karma protector, Vajrasattva also manifests the energies of all Buddhas. Any practice of Vajrasattva is related to the practices of confession and purification as present in all Buddhist traditions.
This beautiful 6” Vajrasattva is shown with his consort in white, signifying his immaculate purity in Dhyana asana. Vajrasattva right hand holds the vajra at the level of his heart while his left hand clasps the bell. The bell is said to symbolize wisdom and the vajra signifies the means of utilizing this wisdom. Together the vajra and the bell symbolize the fusion of all polarities, including masculine and feminine qualities, in one Enlightened experience. |
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| 8.25” Shakyamuni Buddha Statue |
| US$ 218.18 |
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| Speciality: This beautiful 8.25” Shakyamuni Buddha Statue made from Copper Alloy with Fully Silver Plated and using Lost Wax Technique which has beautiful detail carvings. |
This beautiful 8.25” Shakyamuni Buddha Sculpture is made from Copper Alloy with Fully Silver Plated and has beautiful carvings which is crafted by our experienced artisan using Lost Wax method who has been in this business from generations.
Shakyamuni Buddha – The Enlightened One
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Beyond the pain and pressures, the toil and tears of life, away from illusory scene of transience and impermanence, transcending loving and halting transitoriness of this world, is the Enlightened One, Shakyamuni, the Sage of the Shakyas, Gautama Buddha. Gautama has overcome the temptations of Mara and of his demons in their innumerable aspects, some terrifying, some monstrous and some voluptuous. The intense inner struggle of Gautama makes him an immediately human figure to us. Mara tries to break him even when he has attained complete enlightenment and tempts him to vanish into nirvana and leave mankind in darkness. The Buddha is serene and motionless. Gautam Buddha has passed the raging fury of illusory forms. The Sage is supremely Enlightened One, aware of the cause of suffering and of the way to attain liberation from them. Gautam Buddha calls the Earth Goddess to witness by his earth-touching gesture or bhumi-sparsha-mudra. The right hand stretches down to the earth, the palm inside and all fingers straight. By this gesture, Gautam Buddha destroys all the demons of the earth. While the right hand of the Buddha is in the gesture of touching the earth, his left hand holds the alms bowl. Gautam Buddha is seated with legs crossed in the lotus position or Padmasana, on a moon disk, placed on a lotus.
This beautiful 8.25” Shakyamuni Buddha Sculpture has his left hand extended in the Bhumisparsa gesture, the Mudra of witness. His left hand lies in the lap with palm upward. This is the gesture of "touching the earth" or "calling the earth to witness," commemorating Buddha's victory over temptation by the demon Mara. Shakyamuni Buddha is seated on a Padmasana pedestal of lotus petals arranged in a row. This is one of the most popular portrayals of Shakyamuni – at the moment of his full enlightenment under the Bodhi tree at Bodhgaya. |
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| 20.5” x 16.5” Yellow Jambala Thangka Painting |
| US$ 250.00 |
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| Speciality: Beautifully Painted 20.5” x 16.5” Yellow Jambala Thangka Painting painted by our master artisans who have been in the business from generations. |
Yellow Jambala – The God of Wealth
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Yellow Jambala (Tibetan: Jambala Serpo): The God of Wealth, he is the manifestation of Buddha Ratnasambhava. This is the yellow Jambala, yellow in color; he is adorned with a crown, jewel and gold ornaments and silk garments, seated imperially in the center of the multi-colored lotus throne, stepped on a white conch shell. With left hand in the stoat a jewel keeping in mouth and right hand the morni of gush of flame on the right knee, with the jewel earring and jewel necklace, he is exposing his chest and abdomen, the aura and lucky cloud surrounded on the sides.
According to the sutras, it is said that when Sakyamuni Buddha was saying the Maha Prajna-Paramita Sutra, some demon came to disturb the Buddha and wanted to create confusion. Just at that time, Yellow Jambala appeared in front of the Buddha and protected him. Upon seeing his courageous behavior, the Buddha asked Yellow Jambala if he wish to become a dharma protector and save the sentient beings. Yellow Jambala accepts the Buddha’s word and from then onwards, he protected the dharma and if anyone calls his name, he will come and help that person. If one has trouble with finance or anything, one can chant the mantra of his and he will come and help. But one must have a bodhi mind and practice Buddhism properly to attain his blessings. One can also gain wealth, wisdom, intelligence and at last! Attain Buddhahood! The beneficence of the Yellow Jambala is that his doctrine enables the follower to have good luck and Virtues, prolong his life, increase his intelligence and gain both material and spiritual benefits. |
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| 22.25” x 17.25” Kurukulla Scroll Thangka Painting |
| US$ 250.00 |
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| Speciality: Beautifully Painted 22.25” x 17.25” Kurukulla Tibetan Religious Scroll Painting is painted by the experienced artisans who have been devoted in the business from generations. |
Kurukulla
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There are many forms of deity Kurukulla. But the most important form is called Tarodbay Kurukulla. She is red in color with red garments, red ornaments and seated on a red lotus. Kurukulla has four arms. Two left hands show charging a flowery arrow on a flowery bow ready to strike at and other two hands hold a noose and a goad. Kurukulla appears to be a beautiful maiden in dancing posture and displays lovely sentiments. The deity Kurukulla is said to confer success on devotees particularly in the tantra ritual of subjugating, enhancing men, women, ministers and the kings. |
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| 25” x 19.8” Green Tara Thangka Scroll Painting |
| US$ 225.00 |
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| Speciality: Beautifully Painted 25” x 19.8” Green Tara Tibetan Thangka Scroll Painting is painted by the experienced artisans who have been devoted in the business from generations. |
Green Tara – THE PROTECTRESS
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Green Tara is regarded as spiritual consort of Amoghasiddhi, the Dhyani Buddha. Green Tara is portrayed similar to that of the White Tara. One can find the difference only in her left hand which holds a half – closed lotus or water – lily flower with long petals which is often blue. In the Lamaeist Tradition, Tara is incarnated in all good women. Green Tara is also to have mortal base in historic persons of the Nepali and Chinese princess who married the great king Srong – Tsong Gampo and credited with the introduction of Buddhism to Tibet and China. Green Tara vowed "until Samsara is empty, I shall work for benefit of sentient beings in a woman's body". Green Tara is worshipped, because she brings all good women.
Green Tara is seated on a lotus rising out of a lake. Dressed in fine silk and rainbow – colored stockings, Green Tara holds in each hand a blue Utpala flower. Green Tara sits in Lalita asana (sitting position) with her right leg extended ready to assist those who ask her help. |
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| 18.2” x 13.3” Green Tara Thangka Scroll Painting |
| US$ 212.00 |
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| Speciality: Beautifully Painted 18.2” x 13.3” Green Tara Tibetan Thangka Scroll Painting is painted by the experienced artisans who have been devoted in the business from generations. |
Green Tara – THE PROTECTRESS
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Green Tara is regarded as spiritual consort of Amoghasiddhi, the Dhyani Buddha. Green Tara is portrayed similar to that of the White Tara. One can find the difference only in her left hand which holds a half – closed lotus or water – lily flower with long petals which is often blue. In the Lamaeist Tradition, Tara is incarnated in all good women. Green Tara is also to have mortal base in historic persons of the Nepali and Chinese princess who married the great king Srong – Tsong Gampo and credited with the introduction of Buddhism to Tibet and China. Green Tara vowed "until Samsara is empty, I shall work for benefit of sentient beings in a woman's body". Green Tara is worshipped, because she brings all good women.
Green Tara is seated on a lotus rising out of a lake. Dressed in fine silk and rainbow – colored stockings, Green Tara holds in each hand a blue Utpala flower. Green Tara sits in Lalita asana (sitting position) with her right leg extended ready to assist those who ask her help |
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| Gold Painted 15” x 15” Chenrezig Mandala Thangka Scroll Painting |
| US$ 235.00 |
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| Speciality: Beautifully Gold Painted 15” x 17” Chenrezig Mandala Tibetan Thangka Scroll Painting is painted by the experienced artisans who have been devoted in the business from generations. |
Chenrezig Mandala
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This Round Mandala Thangka Painting depicts Chenrezig Mandala. Mandala is a circle, which is a device for the Tantric meditation. It is a visual aid for concentration and introversive meditation leading to the attainment of insights and to activation of forces culminating in "Siddhi" supernatural forces. The Mandala is the graphic representation of this process. It is not only theoretical but practical also as an operational scheme involving a clear plan for practical realization of the process within oneself. It thus becomes an instrument (Yantra). There are many types and varieties of Mandalas depending on the nature of the central deity. The most classic pattern of Mandalas is of the Dhyani Buddha. This Thangka depicts Buddha Mandala. The Mandala represents "palace of purity" a magic sphere cleared of spiritual obstacles and unpurified. The square of the "Sacred palace" proper is end used in multiple circles of flame, Vajra, eight centuries (appears only in wrathful deities) lotus, then the inner square to reach to the deity of the Mandala. |
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| Gold Painted 15” x 15” Vajrayogini Mandala Thangka Scroll Painting |
| US$ 235.00 |
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| Speciality: Beautifully Gold Painted 15” x 15” Vajrayogini Mandala Tibetan Thangka Scroll Painting is painted by the experienced artisans who have been devoted in the business from generations. |
Vajrayogini Mandala
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This Round Mandala Thangka Painting depicts Vajrayogini Mandala. Mandala is a circle, which is a device for the Tantric meditation. It is a visual aid for concentration and introversive meditation leading to the attainment of insights and to activation of forces culminating in "Siddhi" supernatural forces. The Mandala is the graphic representation of this process. It is not only theoretical but practical also as an operational scheme involving a clear plan for practical realization of the process within oneself. It thus becomes an instrument (Yantra). There are many types and varieties of Mandalas depending on the nature of the central deity. The most classic pattern of Mandalas is of the Dhyani Buddha. This Thangka depicts Buddha Mandala. The Mandala represents "palace of purity" a magic sphere cleared of spiritual obstacles and unpurified. The square of the "Sacred palace" proper is end used in multiple circles of flame, Vajra, eight centuries (appears only in wrathful deities) lotus, then the inner square to reach to the deity of the Mandala. |
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| 14” x 14” Manjushri Mandala Thangka Painting |
| US$ 235.00 |
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| Speciality: Beautifully Painted 14” x 14” Manjushri Mandala Tibetan Thangka Scroll Painting is painted by the experienced artisans who have been devoted in the business from generations. |
Manjushri Mandala
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Mandala is a circle which is a device for the Tantric meditation. It is a visual aid for concentration and introversive meditation leading to the attainment of insights and to activation of forces culminating in "Siddhi" supernatural forces. The Mandala is the graphic representation of this process. It is not only theoretical but practical also as an operational scheme involving a clear plan for practical realization of the process within oneself. It thus becomes an instrument (Yantra). There are many types and varieties of Mandalas depending on the nature of the central deity. The most classic pattern of Mandalas is of the Dhyani Buddha.
The Mandala represents "palace of purity" a magic sphere cleared of spiritual obstacles and unpurified. The square of the "Sacred palace" proper is end used in multiple circles of flame, Vajra, eight centuries (appears only in wrathful deities) lotus, then the inner square to reach to the deity of the Mandala. |
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