The art of Thangka Painting is very old and has been practived from the 3rd century BC in Tibet. The word "Thangka" is estimated to have derived from the Tibetan word "thang yig" meaning a written record. Thangkas are fine paintings that are made with great care and concentration all by hands. The tradition was not only inside Tibet and the Tibetan community it soon spread to those who adopted Tibetan Buddhism learned this wonderful art so Thakali, Sherpas, Tamangs, Yolmos, Manangeys and Newars started creating the beauty. According to religious culture, Thangka can be stored at room sanctifies worship with holy water mumbling mantras to animate Thangkas mystical power and puts kada or khata(two feet long silk cloth) on it. Since then, the devout use to divest its head before it at the time of worship especially in the morning. These paintings are generally colored part Buddhist and Hindu Gods, Goddess, meditating Buddha and its life cycle, Wheel of Life, Mandala, Bhairab, Tara, Exotic photos, etc.
As Thangka ritual paintings are most people have never considered the Thangkas as decorative object. But nowadays Thangkas are gaining popularity as a decorative element throughout the world. Usually painted on cotton cloth, more rarely on silk, colors are traditionally made from mineral and vegetable dyes, but now a day Tibetan artists also use modern synthetic dyes, silver and gold for better presentation.
Our Thangka Art Gallery has the best collection of Newari and Tibetan Guru Gampopa Thangka Paintings for Online Sale.
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In East Tibet, Gampopa (1079 – 1135) was the son of a doctor, and a doctor himself. Gampopa was trained as a physician who devoted himself to the Dharma after the death of his wife. Guru Gampopa became the heart son of Milarepa and was the root guru of the first Karmapa, Dusum Khyempa. It is his synthesis of the traditions of Dharma teachings melded with the experiential meditative teaching of Milarepa that formed the Kagyu tradition, as we know it today. Guru Gampopa wrote the "Jewel Ornament of Liberation" and is usually depicted wearing robes and a red hat, which has become synonymous with the Kagyu School.
Guru Gampopa married in his early twenties, and fathered two sons. Several years later, an epidemic took both their lives, despite his skill. His wife falling sick of the same disease, and similarly failing to respond to his ministrations, begged him as she died not to marry again, but to become a monk.
One might question her motives, but nevertheless, at the age of twenty – six, Guru Gampopa became a novice in the Kadampa tradition. Guru Gampopa applied himself, working with many masters, and achieved a high degree of proficiency before - at thirty – two – hearing talk of Milarepa. Feeling a surge of devotion in response to these tales, and understanding that this must be his true teacher, he set out on a grueling but eventually successful search to find him.
Gampopa, a talented writer, of great insight, was entrusted by Milarepa with the complete Kagyu transmission - the only one of Milarepa's students so honored – before leaving Milarepa to go into retreat at Dagpo in South – East Tibet. There he founded the monastery of Daglha Gampo, where he drew many disciples. Four of these were to found the four "major" Kagyu branches. Eight "minor" branches would appear later. One of the four, Dusum Khyenpa was both the next Kagyu lineage – holder, and the first Karmapa.
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